In the the movement was carried by Peter Blake, Patrick Caulfield, David Hockney, Allen Jones, and Peter Phillips. Richard Hamilton and Eduardo Paolozzi, both members of the Independent Group, pioneered the movement in London in the It also helped to decrease the gap between high art and low art and eliminated the distinction between fine and commercial methods. The images are presented with combination of humor, criticism and irony. The recognized Pop Artist, Andy Warhol, used photorealistic, mass production printmaking technique called seriagraphy to produce his commentaries on media, fame, and advertising.
Pop shattered the divide between the commercial arts and the fine arts. An attempt to bring back into American daily life, it rejected abstract painting because of its sophisticated and elite nature.
The term Pop was first used by English critic, Lawrence Alloway in in an edition of Architectural Digest. It developed in the United States during the Pop shattered the divide between the commercial arts and the fine arts. Often subjects were derived from advertising and product packaging, celebrities, and comic strips. In the early sixties, Pop found its way to the United States, seen in the work of Jim Dine, Roy Lichtenstein, and Robert Rauschenberg. An attempt to bring back into American daily life, it rejected abstract painting because of its sophisticated and elite nature.
It developed in the United States during the Often subjects were derived from advertising and product packaging, celebrities, and comic strips.
In doing this, the movement put into terms of everyday, contemporary life. Richard Hamilton and Eduardo Paolozzi, both members of the Independent Group, pioneered the movement in London in the It also helped to decrease the gap between high art and low art and eliminated the distinction between fine and commercial methods. An attempt to bring back into American daily life, it rejected abstract painting because of its sophisticated and elite nature.
In the early sixties, Pop found its way to the United States, seen in the work of Jim Dine, Roy Lichtenstein, and Robert Rauschenberg. It developed in the United States as response to the wealth of the post World War II era and the growing materialism and consumerism in society. Richard Hamilton and Eduardo Paolozzi, both members of the Independent Group, pioneered the movement in London in the It also helped to decrease the gap between high art and low art and eliminated the distinction between fine and commercial methods.
