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Reass softwaregenerated prints on paper have an

admin — Wed, 23 Sep 2009 18:56:51 +0000

The show is organized by Curator of New Media George Fifield. Golan Levin is an artist, composer, performer, and engineer interested in developing artifacts and events which explore supple new modes of reactive expression. Frdric Durieu, originally from Brussels and trained as civil engineer, has been authoring creative software applications since when he first wrote program simulating the life cycle and behavior of plants. Reass softwaregenerated prints on paper have an exceptionally sensitive touch, while his software installations present compositions in motion.

software ART space, founded by Steve Sacks, owner of Bitforms Gallery in New York and Seoul, IAMAS and ICC in Japan, the Microwave International Media Festival in Hong Kong, and the Sonar Festival in Barcelona. Kristine Malden, originally from New York, graduated from Brown University with degree in Semiotics and background in film and photography. Levin received undergraduate and graduate degrees from the MIT Media Lab. Scuba gear and dancing ladies morph into wriggling lines that twist into space.

LINCOLN, MAFor years, artists who wrote interactive software in Flash or Javascript posted their works for free on their Web sites. Reass softwaregenerated prints on paper have an exceptionally sensitive touch, while his software installations present compositions in motion. The Store DeCordova and the School Gallery are open through am to pm and on selected holidays. The Caf DeCordova is open from to pm, and through from am to pm. Paterson brings his characters to life through natural synthesis of modern drawing tools. Reas writes software to create drawings and live animated installations.

Reass softwaregenerated prints on paper have an exceptionally sensitive touch, while his software installations present compositions in motion. Paterson brings his characters to life through natural synthesis of modern drawing tools. He has shown at P. S.

The show is organized by Curator of New Media George Fifield. Golan Levin is an artist, composer, performer, and engineer interested in developing artifacts and events which explore supple new modes of reactive expression. The results resemble graffiti that seems to write itself. General admission during Museum hours is 9 for adults, 6 for senior citizens, students, and youth ages 612. He has shown at P. S.

keyword cloud photography sinclair

admin — Thu, 17 Sep 2009 20:17:43 +0000

subscribe sign up to our irregular newsletter featured projectsLYCAY Let Your Code plAYReject MeGoLogoOutsource me!The Invisible Hand MachineaPpRoPiRaTe!latest projectsChildhood GamesUntitled DIY Google Image SearchCodeSoundingCity Distances measuring informational distances between cities as the price of jet fuel expands the physical world, we might find more economical ways to span distances in the global Latest bits...The Meta Technology program that will change your life. Latest bits...The Hypertext Revelation... Did you know...?There are more than accepted projects in the Runme database and counting... and Untitled aka DIY Google Image Search, which makes finding images in the real world as easy as using Google...

Latest bits...ShiftSpace, which creates usergenerated metaweb on top of the boring old web Byte Molester, which molests bytes and pixels too. the worlds oldest interactive narrative? Nude Studies in Aleatoric EnvironmentsThe Hypertext RevelationThe Meta bits...Two projects in which the virtual and real worlds move little closer together Code Sounding instead of creating software that lets human make music, this software lets code make its own music....

the worlds oldest interactive narrative? Nude Studies in Aleatoric EnvironmentsThe Hypertext RevelationThe Meta bits...Two projects in which the virtual and real worlds move little closer together Code Sounding instead of creating software that lets human make music, this software lets code make its own music.... And City Distances measuring informational distances between cities as the price of jet fuel expands the physical world, we might find more economical ways to span distances in the global Latest bits...

Latest bits...The Hypertext Revelation... the worlds oldest interactive narrative? Nude Studies in Aleatoric EnvironmentsThe Hypertext RevelationThe Meta bits...Two projects in which the virtual and real worlds move little closer together Code Sounding instead of creating software that lets human make music, this software lets code make its own music....

Read_me run_me execute_me Inke Arns text

admin — Sat, 22 Aug 2009 11:50:46 +0000

Here the term is often used if not as synonym for software then without any clear differentiation from it. Inke Arns text points out sceptically how the term generative art has become fashionable in the last two years, appearing in contexts as different as academic discourses, media festivals, architecture practices and design conferences. Read_me, run_me, execute_me.

Here the term is often used if not as synonym for software then without any clear differentiation from it. Code as Executable Text Software and its Focus on Program Code as Performative TextInke Arns The differences between, as well as the very few overlapping points within, the texts show how complex and wideranging this still young field of work is, and identify aspects that need to be elucidated these emerge not least from terminological definitions and differentiations.

Software Projects such as alternative web browsers

admin — Thu, 13 Aug 2009 11:33:04 +0000

An excellent example is Software Studies Lexicon. See also Cramer, Florian and Gabriel, Ulrike. there is the field of gimmicks, nerdy tricks and playing with the given formulas, the eyes which follow the mouse pointer. It is difficult and lengthy to enumerate all the interesting publications on the issue. Interviewed by Alexei Shulgin. Mute, Issue 14, London. Schultz, Pit. Software, deprived of its alleged transparency, turns out to be powerful mechanism, multifaceted mediator structuring human experience, perception, communication, work and leisure, layer occupying central positions in the production of digital cultures, politics and economies.

there is the field of gimmicks, nerdy tricks and playing with the given formulas, the eyes which follow the mouse pointer. Moreover, departing from the term software art can be found in Introduction to 19941999 by Alexei Shulgin and Natalie Bookchin httpeasylife.

Software Computer Age is Coming into Age. The term software art can be found in Introduction to 19941999 by Alexei Shulgin and Natalie Bookchin httpeasylife. orgnetart Deconstructions of HTML by Jodi, for instance, turned into the modification of old computer video game Wolfenstein 3D SOD 1999 and other games. Projects such as alternative web browsers that were considered part of the movement started to be written back in with Web Stalker by IOD, continued by Web Shredder by Mark Napier in and Netomat by Maciej Wisniewski in and often got labeled as online software art.

by Matthew Fuller, Cambridge, The MIT Press.. Mute, Issue 14, London. Schultz, Pit. See also Cramer, Florian and Gabriel, Ulrike. The term software art can be found in Introduction to 19941999 by Alexei Shulgin and Natalie Bookchin httpeasylife. orgnetart Deconstructions of HTML by Jodi, for instance, turned into the modification of old computer video game Wolfenstein 3D SOD 1999 and other games. Concept, Notation, Software, 2002 Ibid. 2001 and Albert, Saul.

there is the field of gimmicks, nerdy tricks and playing with the given formulas, the eyes which follow the mouse pointer. There also could be named number of projects, practices and discourses conceptually and practically close to what is termed software art, which chose or happened to distance themselves from the usage of this term and from its institutional incarnations, for their potentially limiting character in linking it to specific fields, histories, and agents.

MusicAdam KendallVideo Music of annoying

admin — Tue, 14 Jul 2009 11:47:48 +0000

code. Music of annoying diselegance and sweetness. Generated stuff. John NowakRuccas. org founder Joshua ParmenterRealtime electronics and algorithmic composition JossystemDigital video.

video.

Generated stuff. John NowakRuccas. org founder Joshua ParmenterRealtime electronics and algorithmic composition JossystemDigital Ludic Raga Video. Music.

Video. Money back guarantee. IsjtarGenerative stuff, electronic music, new media and audio installations. Irad Leesound design cross mediaJason ThomasAlgorithmic computer music compositions Joo RicardoElectronic music compositions Joe FosterJohn ffitchChaotic oscillators mapped to different pitch systems and sounds John GreeneFleen project. code. Sometimes Im wrong.

Music.

Tantric KultureAl SteffensCsound compositions in the New Age, ambience and experimental genre Andrea Polli and Kurt RalskeDatareader for Max Anthony KozarDark and minimalist sonic terrains Anthony SaundersMusic with microsound, ambient, musique concrete and Japanese harsh noise influences from the vocalist of Dataclast AntipodesDramamineinspired granular fun Beau CaseyElectronic music composer and multimedia performer BentonC BainbridgeVideo Artist & Performer Bernardo BarrosComposerimproviser of electronic and chamber music Bobby WhelanComposer, performer and instrument builder Electroacoustic MusicBogdan SobanGenerative Entirely Computer Generated Images Generative programs Free download Bruce TovskyVideoSound artist and improvisor Bryan Eubanksimprovisations, electronics, C. A. Sometimes Im wrong.

Money back guarantee. IsjtarGenerative stuff, electronic music, new media and audio installations. Irad Leesound design cross mediaJason ThomasAlgorithmic computer music compositions Joo RicardoElectronic music compositions Joe FosterJohn ffitchChaotic oscillators mapped to different pitch systems and sounds John GreeneFleen project. Sometimes Im wrong.

Music. Alberto VignaniMIDI transformations, algorithmic garbage for sampled orchestra AlgoMantraNetworked Kreeda Video. video.

Over 1800 active clients chosen more than the

admin — Thu, 26 Mar 2009 21:07:02 +0000

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Archives Categories and Science 68 biennales 7

admin — Thu, 19 Feb 2009 22:03:45 +0000

You are currently browsing the archives for the software category. Archives Categories and Science 68 biennales 7 Books 19 Call for Papers 115 Collaborator minima 25 Collaborator Digicult 47 Collaborator Dream Addictive 2 Collaborator Escaner Cultural 3 Collaborator Front Wheel Drive 7 Collaborator LA Freewaves 8 Collaborator Latin 2 Collaborator noorg. net 4 Collaborator Rhizome.

Archives Categories and Science 68 biennales 7 Books 19 Call for Papers 115 Collaborator minima 25 Collaborator Digicult 47 Collaborator Dream Addictive 2 Collaborator Escaner Cultural 3 Collaborator Front Wheel Drive 7 Collaborator LA Freewaves 8 Collaborator Latin 2 Collaborator noorg. net 4 Collaborator Rhizome.

think is something that might be

admin — Sat, 07 Feb 2009 12:49:49 +0000

Iphone is pretty impressive platform, many features and good perfomances, so am not surprised many are playing with it. Eoghan saysSeptember 1st 2008 dont own an iPhone, but my friends that do have all shown me some app that shows off the features of the phone multi touch, tilt etc. With bluetooth, camera and GPS, you could have lot of fun with various kinds of applications. But as an artistic medium, Im unsure. If an artist sold something for under this price, people wouldnt have to think twice before buying the app. Yellowtail is expressive & creative, ala Toshios Electroplankton.

But other avenues could be looked at. Interactive ring tone visuals? Pervasive gaming? Using the bluetooth or GPS to record location data to create imagery? The versatility of the device makes it exciting and the freedom to create applications really adds to that. This will of course wear off over time. It depends on price. christian saysAugust 31st 2008 am playing with iPhone SDK myself and found it interesting both as geek and as UI designer.

As geek found interesting to see how Apple or more precisely NextStep evolved in ObjectiveC, as designer how multitouch interactions could be used in day to day life. christian saysAugust 31st 2008 am playing with iPhone SDK myself and found it interesting both as geek and as UI designer. Personally dont know if would invest money in getting someones iPhone onto my imaginary iPhone. think is something that might be key for successfull apps on the device, rather than passive screensavers.

Personally dont know if would invest money in getting someones

But other avenues could be looked at. Iphone is pretty impressive platform, many features and good perfomances, so am not surprised many are playing with it. Eoghan saysSeptember 1st 2008 dont own an iPhone, but my friends that do have all shown me some app that shows off the features of the phone multi touch, tilt etc. The more devices that could partake in PG would open that market up hugely.

good games are selling for around 45. Does it mean that you are restricted to viewing work on your iPhone, thus creating accessibility issues? havent seen the what Simon Oliver created so its hard to gaugeLike Christian, dont think would invest money to have someone else piece on my device to show show off to friend?, but if these would be very engaging games la Toshio, well that is different story, am already buying games. think is something that might be key for successfull apps on the device, rather than passive screensavers.

While software Program code

admin — Sun, 01 Feb 2009 11:12:51 +0000

The distribution of John Cages algorithmically generated sound play Roarotorio, for example, includes book, CD and excerpts of the score, but not even fragment of the computer program which was employed to compute the score. While software, When the Londonbased digital arts project IOD released an experimental World Wide Web browser, the Web Stalker in the work was perceived to be piece of Code can be diaries, poetic, obscure, ironic or disruptive, defunct or impossible, it can simulate and disguise, it has rhetoric and style, it can be an attitude.

In analogy, we would like to define software as of which the material is `concepts, as the material of for ex. The joint operation of these processes creates its own aesthetics which manifests itself no longer by applicationrestricted assignments, but in the free composition of this system as whole. Such attributes might seem to contradict the fact that the algorithms employed to generate and manipulate computer music, computer graphics, digital text are frequently if not in cases invisible, unknown to the audience and the artist alike.

Which simply is what developing software is all about.Since software is machine control code, it follows that digital media are, literally, written. If complex systems and their generative processors themselves become language, formulation becomes the creation of frame within which the system will behave, and of the control of this behaviour. But unlike the Cagean artists of the the software artists we reviewed seem to conceive of generative systems not as negation of intentionality, but as balancing of randomness and control.

The house that jack built Jack burnhams concept of `software` as metaphor of Leonardo Electronic Almanach, 610. The joint operation of these processes creates its own aesthetics which manifests itself no longer by applicationrestricted assignments, but in the free composition of this system as whole. by the contemporary composer and former Fluxus artist La Monte Young, which is at once considered to be one of the first Fluxus performance scores Draw straight line and follow it.1 This piece can be called seminal piece of software because its instruction is formal.

If literature can be defined as something that is made up by letters, the program code, software protocols and file formats of computer networks constitute literature whose underlying alphabet is zeros and ones. Unlike in notational music and written theatre plays, its score is not aesthetically detached from its performance. Although the expectation that software is, unlike other writing, not an aesthetic, but functional tool itself is an aesthetic expectation, software nevertheless has become less likely to emerge as conceptualist cleanroom constructs than reacting to these stereotypes.

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The second Read_me is based on database

admin — Thu, 20 Nov 2008 04:15:30 +0000

Stehle Category Browser Art Babel By Simon Biggs ZNC Browser By Peter Luining Category Code Art Jabberwocky By Eric Andreychek London. pl by William Blake By Graham Harwood Julu By Alan Sondheim Re andpro][.lapsing. txtsby mez Category Conceptual Software Composition By La Monte Young .Walk By socialfiction. org Category Data Transformation Video Killed the Radio Star By Jonathan Harel Category Digital Aesthetics Research and Development os_anm By slateford Category Digital Folk and Artisanship discomus.

Since Runme. org was open for submissions from everyone, and its developers have uploaded found projects and invited many people to submit their works the number of works uploaded onto Runme. org during the one and half month period from the launch to the festival deadline, reached 150, including large number of interesting works. year has passed since the first Moscow edition, and the festival has grown and germinated through Runme. org the online software repository it is based on.

Amy Alexander, Florian Cramer, Olga Goriunova, Matthew Fuller, Alex McLean, Alexei Shulgin, and The Yes Men have reviewed the interesting in their opinion submitted projects. The current shape and organization of Read_Me is to test an alternative festival model, especially since the subject of the festival is software realm where people with artists selfidentities coexist with programmers whose views on the process of creation, distribution and even the very meaning of their work can be dramatically different from those of the artists.

festivals as widely accepted forms are often compromised by lack of transparency in submission and evaluation processes, which prevents interesting authors from submitting their projects and generates quite problematic winners. The first Read_me was also based on an online database where all the entered projects were stored, but the database was closed for new submissions after prearranged deadline. Open source communities are much more democratic, but have their own drawbacks they focus on functionality and pragmatic usefulness, thus sometimes leaving out interesting projects seen as unnecessary in these contexts.

Since Runme. org was open for submissions from everyone, and its developers have uploaded found projects and invited many people to submit their works the number of works uploaded onto Runme. org during the one and half month period from the launch to the festival deadline, reached 150, including large number of interesting works. The second Read_me is based on database functioning parallel to and independent from the offline festival. This quite unexpected result of the experiment caused some difficulties in the presentation of all the featured works at the festival, but was also very positive and significant.